While some maps can be ambiguous, they are more often than not carefully curated, and occasionally themed, to impart a particular understanding of reality.  But to the extent that maps are constructed, they can also be deconstructed: by combining the discursive, linguistic and visual conventions of cartography with architectural drawings, one can try to subvert what is know about a place in an effort to evoke a different awareness of that place, one that is collectively intertwined through the sharing of memories and experiences of a foregone urban phenomenon – in this case, a spectacular landing approach into a city.  What happens when the relationship between symbols and codes on a map are blurred or removed entirely? Can maps be utilized to describe the procession of time and movement – a fourth dimension?